Help… I lost all my sounds! Notes On Your Synthesizer’s Internal Battery

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That’s right. We get a lot of calls and e-mail from synth owners in a panic because they just turned on their keyboard or module and all the sounds are gone. They want to replace them as soon as possible for that gig on the weekend or tonight’s recording session.

Many of them ask…..”What Happened”???

What happened was that their synth’s “Internal Battery” died. That’s right… All hardware synths come with a battery that is inside the casing. Most have “Lithium Battery’s” similar to a cell phone or digital camera. Those little round ones that are about the size of a U.S. nickle. They are designed to last about ten years and when they die whatever you have in your synth’s memory is wiped out.

It’s great if you have your data backed up. Of course if you don’t then your in trouble, so make sure you back up your sounds. However, even if you do have your data backed up you will have to replace the battery or else the synth will not hold the data in it’s memory. As soon as you turn off the synth everything gets wiped out again.

What you have to do is open up the synth and take the casing off so you can get inside and replace the battery. That can usually be done pretty easily with just a philips screw driver. Some synths are easier to get inside then other ‘s so if your not quite sure about how that works then best to call a service tech who can go in and do it for you. In general it’s a fairly simple job that you can probably handle without having to pay a tech to do it for you.

Once you have the synth’s casing off then look around for that little nickle shaped lithium battery that I talked about. Simple remove it and then look for the model number that should be on the face of the battery. If the model number is not on the battery then contact the company who manufactures the synth (if they are still in business) and ask them what it is. You can also try doing a search on google or any internet search engine. You never know what your gonna find on that!

The good news it that it’s usually pretty easy to get a replacement battery for most synths. Places like Radio Shack, J&R music or many computer stores carry a wide selection of lithium battery’s. They only cost a few dollars so you can be back up and running without having to go too deep into your pockets.

Once you’ve replaced your battery and put the casing back on then just load everything back in and you will be back in business. Many newer synths can be “re-initilized” from the synths front panel which will get you back to the factory settings. Check your owners manuel to see if your synth can do that.

If for one reason or another you have not backed up your stuff then contact us and we will try to help you out. We have a large inventory of patch data from many vintage synths going back nearly twenty five years and there is a good chance that we have a great collection of sounds that you can use to get you going again. It may not be the same data that you originally had, but it will certainly get you back on track and there is a good chance that you will find a big improvement over to what you had in there originally. After all it’s from “The Patch King”!!!!

The morel of the story is “BACK UP YOUR DATA”. You never know when your synth’s battery is going to die and best to be prepared. There are several ways to back up your stuff depending on your synth. Vintage synths produced during the 70’s and early 80’s usually did it to a data cassette tape although with the advent of MIDI in the mid 80’s that all changed and the newer synths let you use “sysex – system exclusive”. That store’s the sounds on your computer hard drive. More info on how to save and load sounds via midi can be found at another article we have put together called SYSEX MADE SIMPLE. Be sure to check that out if your interested in saving your sounds on your synths hard drive.

If you need any more info please contact us and we will be happy to help you out.


All about “Key Mapping” AIFF and WAV digital samples.

Midi Tips 6 Comments »

We get a lot of questions about how to “Key-Map” our AIFF and WAV files so we thought we would fill you in at the “Midi Tips” section.

Two of the most popular formats in which most sound companies (including us) save their digital samples is the “AIFF and WAV” formats. AIFF (.aif, .aiff) stands for “Audio Interchange File Format” and was developed by Apple for storage of sounds on the Mac. Windows WAVE: (.wav) format was created by Microsoft and IBM, and it has become a popular standard in saving sounds on the PC. WAV sounds will also work on the Mac, but AIFF will not work with windows PC’s.

Almost all of todays music digital hardware and software samplers can read AIFF and WAV files, but before you can actually make music with them you need to know a few simple things.

AIFF and WAV files are individual samples that must first be set up as “programs” before you can create songs with them. In other words, each AIFF or WAV sample is a different musical note. The samples must be “key mapped” across the keyboard so you will be able to play all 12 notes in a typical octave or all 88 notes over the entire keyboard. Each sampler does this a little differently so we won’t get into the exact steps on how it’s done, but here are a few general tips that should help get you started.

For most instruments we usually sample in “Root” and “5th” of the scale and give you several C’s and G’s to work with. We then sample the same notes across several differnt octaves (C1,G1,C2,G2 and so on). We usually sample five octaves which then fill’s in a typical 61 note keyboard. In most cases that is all that’s needed. If we sampled every single note then the file sizes would be so large that they would not be able to fit in many samplers. Even with todays software samplers which have tons of sampling RAM, it would be a great waste of space and take longer to download if we sampled ever single note. Instruments like an acoustic piano require you sample more notes, but in most cases just sampling the Root and 5th’s are enough to create a realistic sound for instruments such as basses, leads, pads and strings.

Key Mapping also allows you to set up your own custom drum kits where you can (let’s say) put your Kick drum on C, snare on D, hi hat on E and crash cymbal on F. You could also put that kick drum on the C and stretch out the sample using key mapping to have it play across a complete octave (12 notes) by itself. Each note then becomes a different pitched kick drum and if you do that and play two or three notes at the same time you get a super phat kick! You can also key-map two or three different kick drums on that one C to create a fatter kick drum. It all depends on how you want to set up your drum sounds.

To key-map the C and G sounds into your sampler follow these steps:

1. Take the C’s and the G’s and match them to the notes on your keyboard. Start with C1 and map out all the C’s across the range of the keyboard.
You may have to tune the notes up one octave depending if your using a 88 note or a 61 note keyboard.
2. With all the C’s keymap (stretch) the low note down to Bb and the high note up to E. Each sampler does this a bit differently so check your owners manuel on how this is done on yours.
3. With all the G’s keymap the low note down to F and the high note up to A.

That will fill in all the notes over your keyboard and enable you to play songs. If you had a “E” in the mix then you would not have to stretch the C’s and G’s as far. The more notes provided, the less stretching you need to do to fill in the whole keyboard.

In general AIFF and WAV files need to be tweaked in order to get the right sound. The files are just the starting point and it’s really up to you do get the programming together to make a “patch”. Adjustments in the envelopes “release section” and filters “cutoff switch” are sure to pop up in most files (just to name a couple). You should also add effects and modulation to complement the sound of the wavs.

AIFF and WAV files take a bit of programming in order to get the sound the way you want it. We give you a great starting point in being able to create a great “patch” and with a little practice your can do the rest. If you need any additional tips to help you along please contact us and we will be glad to assist.

Now that you know all about key-mapping check out our “downloadable AIFF and WAV files” Over Here. Order online and Download Sounds today!


Patch King Podcast Volume 2 Now Online – Music From The Caribbean

Patch King Podcasts 1 Comment »

Join Proton as he plays “Music From The Caribbean”. Featuring the music of Jamaica’s “Mikey General” and “Milton Blake” along with Barbados’s “Magnet Man”. Also featured are a couple of Kid Nepro mixes called “Reg-Rock” which Proton describes as a “Blend of Reggae and Rock Music”.

We are now developing The Patch King Podcast to become a showcase for bands looking to get their music heard by an international audience. Anyone interested in submitting their music can contact us HERE. We are also very interested in any songs that you have produced using any Kid Nepro sound patches or digital samples so please contact us if you have any music that you would like us to hear.

Click Here to listen to The Patch King Podcast

Click Here to link to our RSS Feed

You can subscribe to our Podcast at:


Technology Doesn’t Suck Dylan. It’s The Record Companys that do!

Midi Tips, Music Industry News No Comments »

Bob Dylan’s comment a couple of weeks ago about how “technology sucks” got me thinking about a few things. He’s absolutely right when he say’s “You listen to these modern records, they’re atrocious, they have sound all over them,” he added. “There’s no definition of nothing, no vocal, no nothing, just like … static.” Dylan said he does his best to fight technology, but it’s a losing battle. “Even these songs probably sounded 10 times better in the studio when we recorded ’em.”

You would think that with all the wonderful tools that we have to work with these days that the CD’s being released today would have an amazing sound. Yet they don’t. Why is that?

The problem the over use of compression. It is designed to increase the “Loudness” of the cd. but you lose dynamic range. It is a well known complaint that the unhip bastards that run the market dont seem to get. You no longer get quiet and loud passages, just medium loud all the time. I’d say it’s more like the musical equivelent of putting the contrast on your monitor past the normal value and so far it up it’s like looking into the sun. You just can’t stand to look/listen to it for that long at all without your eyes/ears imploding.

When you use all that compression then the music doesn’t have a chance to “breathe”, because everything is coming at you at about 130dB, all the time. The real blame for this can be placed on the music executives more than anyone else, because they think louder=stands out more on radio=more sales. Of course, the sound engineers and producers hate doing it, but those clueless music company bosses are supplying the paychecks.

There are exceptions. I just picked up the new U2 CD “How To Dismantle An Atomic Bomb”. Not only is the CD filled with great tunes, but it is well recorded and mastered and sounds amazing. This is a perfect example of a band that has control over their product and cares more about how things sound then how many records they sell. Maybe Dylan should do the same thing. I’m sure his CD’s would sound better if he made sure that whoever was mastering it did it correctly.

I came across a great article that explains things perfectly. You can find it Over Here


The Patch King Has Expanded

New Kid Nepro Releases No Comments »

No….not my waistline. We are now in the hardware biz!

The sound company who brings you the worlds largest selection of patches and samples has now added one of the largest inventory’s of used music equipment to our web site.

We now have listed hundreds of hardware items for sale including; Keyboards, Computers and Computer Accessories, Drum Machines and Sequencers, Guitars, Basses, Amps and Effects and tons of Audio Gear. Everything you need to put together a home studio, live rig or just add that one piece of gear that you’ve been looking for.

Most items come with a three month warranty except items marked as “consignment”. Consignment items all have a seven day check out period. Most items will come with a copy of the manual. Photos are available upon request.

Most hardware items can not be ordered via our online order form. If you would like to place and order for anything on our hardware list or have any questions about an item please contact us via e-mail or phone and we will be happy to help you out. Unlike e-bay we back up our gear with a three month warranty and we will be around to help if you have any questions or problems. All equipment is checked out by an expert service tech before being put up for sale.

Yes, this is big news for us and we are very excited about it. We are looking forward to working with all of you to help find the music gear you need. If you have any suggestions or comments please contact us.

More Info At The HARDWARE Section of The Patch King Website


New Downloadable AIFF and WAV Files

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We have updated updated our downloadable AIFF and WAV file database with 100 new files including: Producers – Drum & Bass, Digital and Analog Pads, Funk and Electric Guitars, Vintage Synths, Effectron – Sound Effects and more.

Included are new sounds from our recently released Hip Hop/R&B Mix for the Yamaha Motif Series.

Sounds Compatible with all software samplers or any hardware sampler that reads aiff or wav files. $5 per file package with as many as 30 samples in a package. Buy 6 and get two free. You can download your sounds within hours of ordering. Click on the “Download Sounds” link from the Patch King home page.

More Info At The Patch King Website


Midi Tips Up And Running with “Sysex Made Simple”

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I’ve posted our first article in the Midi Tips category titled “Sysex Made Simple”. Sysex is short for “system exclusive”. A term well known by some and a mysterious hi tech lingo to others.

We wanted to use the blog as a way to answer our most frequently asked questions in detail so I’ve started things off with probably the most popular question….“What Is Sysex and why should I care about it”?

Click HERE to learn all about sysex


Kid Nepro Launches The Patch King Podcast

Patch King Podcasts 1 Comment »

Welcome to our first Podcast. We thought that adding a podcast to the Kid Nepro site would be a great way for our customers to stay in touch with all the latest developments going on in the patch kingdom including updates on our new releases and audio demos, music industry news and generally what’s going on in the world of music.

Join Proton as he plays some demos from our latest release for the Yamaha Motif and talks about, music industry news, classic rock, politics and lot’s more.

We hope to produce a new podcast on average of once a month so please subscribe to our podcast or mailing list and we will contact you about our new releases or when a new podcast is available online. Customer feedback is very important to us so feel free to post any comments at our blog or send us an e-mail with your questions or comments.

Click Here to listen to The Patch King Podcast

Click Here to link to our RSS Feed

You can subscribe to our Podcast at:


Patch King Releases Three WAV CD’s as Downloads

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Now you can get three of our most popular WAV CD-ROMS within hours of placing your order. We have now expanded our downloadable sounds database to include three of our best selling WAV CD’s.

1- The Kings Collection Volume #1 – mixes sounds from multiple sound libraries. Everything from Orchestral Strings and Brass to Funk, Acoustic and Rock Guitars. Also includes everything on our Drum and Bass CD. Over 25 custom drum kits containing ever 1000 single shot drum samples.

2- Midi Mix – contains samples from over 25 of the best synthesizers released over the past three decades. All sounds are sampled from our custom made sound libraries and then layered together to create unique textures not found anywhere else.

3- Effectron Sound Effect Collection – All the sound effects you need in one complete package. It’s loaded with crowd noises, jungle effects, sounds of nature, guns and rockets, heartbeat, machines and the most requested sound effects. Perfect for composers doing TV or film work or producers that need that special effect on their track.

Just pick the WAV format and FREE e-mail delivery at our online order form and we will set up a download and you can be working with your new sounds the same day!

More info and MP3 demos can be found at; Kid Nepro’s Sample City.


Fillmore East Storys

Classic Rock No Comments »

Many of you may know Kid Nepro from the sounds that I make for synths and samplers. This blog has given me the opportunity to write a little more about some of my other interests so I started the “Classic Rock” category.

Rock music from the 60’s and 70’s is one of my passions. The music that I make has been heavily influenced by music from that era and I wanted to share some of my thoughts about it. As a teenager I was lucky enough to attend several Fillmore East concerts before the classic rock theatre closed in June of 1971. I was actually backstage at the last public performance and got to meet several rock icons including the legendary Bill Graham. It was one of those moments I will never forget. Many years later I wrote everything down and created a web page about that night and how it influenced me in wanting to become a musician.

You can find it Over here

Click Here for a taste of the music from that weekend.

If you were lucky enough to be have been at any of the Fillmore East or West shows during that time I’d love to hear about it. Feel free to post your stories in the comments section.

BTW: In case you have not checked it out yet be sure to visit Wolfgangs Vault for some of the best music never heard!


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