New Korg M3 Video – Classic Beatboxes

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One of the great things about the Korg M3 is that there are many ways that you can use it. The eight pads on the front panel make it easy to set up and use as a drum machine. With the addition of the drum track, sampling features and hundreds KARMA Generated Effects – that can be used for creating drum beats, you can easily turn the M3 into one of the coolest drum machines around.

Our M3 Hit Factory sound collection includes five new drum kits that we created using new samples. The “Classic Beatbox” Drum Kit For Korg M3 contains sounds from vintage 80’s drum machines and kits including the Roland TR808, TR909, CR78, Linn Drum and Simmons Drum Kit.

Beats on the track are from the combi titled “Retro Beatboxes”. No overdubbing or multi tracking was done. Everything was played live into my DAW. Interesting Note: I was also filming everything with my right hand while playing the pads, switches and sliders with my left. Now try that sometime!

Music & Video – Steve Proto

©1984-2009 – Kid Nepro Productions

More info on all our M3 sounds at: The Korg Section Of Our Web Site

Korg M3 Tutorial – Creating Drum Kits Using New Samples

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When programming my M3 “Hit Factory” collection, I created five new drum kits using new samples. I quickly found out that there are several steps involved in creating the drum kit and that they all must be done in the right order for everything to work as planned. I figured it would be a good idea to take some notes!

First assemble all your drum samples into one folder. My kits all contain 88 samples and I’ve mapped each sample to one note across the entire 88 note keyboard. The samples that make up the kit usually consist of several kicks, snares, toms, open and closed hi hats, ride and crash cymbals and assorted percussion. Then depending on the style of music your making you can do just about anything. A typical Hip Hop kit would also have voice samples, orchestra and horn hits, noises, scratches etc. Also, when giving your samples a name keep them under eight characters in length since the m3 will cut off samples with longer names. After everything is prepared your ready to start.

1- Save your folder with the samples to your USB hard drive or memory stick. Connect your drive/stick to the M3 USB port.

2- Choose the “media” button and find your folder. Choose your folder and choose “open”. Choose the top file, choose “load”. You can use “wildcards” to load multiple files at once. To do that change the name of the file to *.wav. Then choose OK and all the files in that folder will load in at the same time.

3- While still in media mode choose the save tag at the bottom, then choose the save arrow on the top and choose “save sampling data”. You are now about to create a Korg .KSC file – which will save all your samples into one easy to load file. Name your .KSC file, choose “all” and then choose OK. Depending on how many samples you have and how fast your drive/stick is, it should take a few minutes for all the samples to be saved to your drive or stick.Then choose “OK”. The data should load.

Now remove your drive/stick from the M3, connect it to your computer and copy the .KSC file to your computers hard drive. Then you will have a back up in case anything happens to the file on your external drive or stick.


4- Go to Program Mode, choose the “User D” bank and pick any of the factory drum kits. Pick the one that comes closest to the style of drum kit that you want to recreate with your new samples. For this example, lets stick with the Hip Hop style and pick Program 003 – Hip Hop Kit. Choose the main arrow and choose “write program” and write the kit to any empty program slot in your M3. Essentially you are making a copy of the Hip Hip kit to work with so as not to mess up the original program.

5- Go to the Hip Hop Kit program that you just created in the empty slot and then choose the “global” button then the “page select” button and choose Page 5 – Drum Kit. Now on the top/left arrow your should see – 010(INT) Hip Hop Kit. Highlight it and use the data wheel to scroll to slot – 032(U-A) Drum Kit UA032. Under the “sample setup” arrow choose “copy drum kit”, scroll with the data wheel until you get to – 010 (INT) Hip Hop Kit and then choose OK.

If you have done everything correctly the Hip Hop Drum Kit will now get written to U-A slot 032. Go back to the sample set up arrow and choose “rename drum kit”, give your kit a name (my hip hop kit), choose the sample setup arrow one more time and choose “write drum kits”, choose OK and your new drum kit has now been written into the M3’s internal memory.

Now your almost ready!



6- Before you do you must do one more very important thing. Go back to program mode, find your Hip Hop Kit program and under OSC/Pitch change the “multisample” from “010 INT Hip Hop Kit” to “032 U-A My Hip Hop Kit”. Under the main arrow choose “write program” and your all set. If you don’t do this and then begin editing your kit you will be changing the settings on the factory 010 Hip Hop Kit and any program or combi that uses that kit will also change therefore creating a big headache for you!

Fear not. If you happen to mess up one of the factory kits you can always restore the factory settings by going to global mode/basic and choosing “load preload demo data”. That will get everything back to it’s factory settings.


7- Go back to Global mode – P5 Drum Kit and now your ready to begin assembling your new drum kit. Start with Key A0 if your working on a 88 note keyboard or C2 if your on a 61 note – 5 octave keyboard. You can have up to four samples on each note. Each with different velocity settings if you wish, Just change the ROM Mono Setting for each sample to RAM Mono if your new samples are in mono or RAM Stereo if they are stereo samples. There are several parameters that you can tweak for each sample to get the sound just the way you want it.

One last thing to note is which samples to put on which keys. This is important since the M3 drum patterns and GE’s use certain midi note numbers to trigger the samples in each pattern. The easiest way to deal with this is to go through each sample one at a time and simply replace the factory sounds that’s in the Hip Hop Kit to a similar type of sound in your new “My Hip Hop Kit”. In other words, if there is a kick drum on note C1 of the factory kit, then replace the factory kick drum with one of your custom sample kick drums. A snare would replace a snare and so on. Doing this will assure that everything will sound right when triggering your new kit with the factory drum patterns or GE’s.

After you have done some editing don’t forget to again go to the sample set up arrow and choose “write drum kit” to save your new kit into memory. Then for safe keeping go back to media mode and save your program and user drum kit(s) as a PCG file. Don’t forget to choose “user drum kits” when saving your PCG file.

Remember that while the PCG file stays in memory until you load in something else, you must load in the KSC file each time you power up your M3. Just load in the .KSC file that you created with your new samples and you should be ready to start making beats in a couple of minutes.

Hope this helps. Good luck and happy sampling!

More info on “Working With Samples on the M3”

Main M3 Sound Listings


Coney Island Dream

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Inspired from a dream I had the other night. Finally gave me a chance to use some video footage that’s been sitting in the can for the past decade! Music all done on a Korg M3 using my “Soundtrack Mix” sounds.

Hit Factory – New Sounds For Korg M3 Now Available

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Korg M3 Volume #3 – Hit Factory – Our third collection of sounds for the Korg M3 Workstations is now available. An amazing mix of fully KARMA-fied Programs & Combis perfect for Producers and Keyboard Players Creating Hip Hop, R&B, Techno, Rave, Trance, Industrial & Dance Tracks.

64 Programs, 32 Combis, FIVE NEW DRUM KITS and 380 NEW SAMPLES that are guaranteed to get your head noddin with some of the coolest beats found anywhere.

More info and demos “CLICK HERE”

Woodstock – Back To The Garden 40 Years On

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Hard to believe it’s been 40 years. The original 1969 edition will be all over the air this weekend, both the music and interviews with the artists who created it.

For those who wonder how radio covered Woodstock back when it actually happened, Dennis Elsas of WFUV (90.7 FM) has dug out some archival tapes from WNEW-FM. The tapes feature Scott Muni and Rosko reading commercials for the festival, including the artist lineup, ticket prices and the important news that the concert had been moved to White Lake.

Elsas has mixed the commercials into a montage that also includes WNEW’s coverage of the weekend and Elsas’ interviews with Richie Havens and John Sebastian. He’ll be playing this feature on his Friday afternoon show over WFUV and posting it at

FUV: Music by Woodstock artists all day tomorrow, with a World Café special, 2-4 p.m., that includes interviews with artists, producers and engineers.

Pete Fornatale of WFUV, who wrote a new Woodstock book, “Back to the Garden,” talks with Darren DeVivo at 7:40 a.m. and 4:45 p.m. tomorrow about the festival.

Fornatale also features Woodstock on his own shows, “Mixed Bag,” Saturday from 4 to 8 p.m. and Sunday from 7 to 8 a.m.

John Platt has Woodstock music and artists Sunday, 8-11 a.m.

Meanwhile, WFUV’s HD2 channel and Web stream ( will play Woodstock all day Saturday and Sunday.

Sirius XM: The Deep Tracks channel, Sirius 16 and XM 40, will become Woodstock Radio from noon tomorrow through midnight Sunday.

The channel will include music from Woodstock and interviews with performers and officials from the festival. Artists will be played in the order they performed at the festival, with the complete performances of Santana, Janis Joplin, Sly & the Family Stone, Johnny Winter and Jefferson Airplane. David Hinckley

Looked around YouTube and found this cool video that has the set lists for each of the 31 bands that played that weekend. If I only had one day to choose from, I’d have to pick day two. What a day that must have been!

Welcome To The Hit Factory – Announcing Sound Library Volume 3 For Korg M3

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380 New Samples

5 New Drum Kits

64 New Programs

32 New Combis

After the great response we received from our “Protorock” and “Soundtrack Mix” sound libraries for the Korg M3, we knew we had to come up with something special for volume number three. After several months of working round the clock we are pleased to announce that “Hit Factory” – Our third collection of sounds for the Korg M3 Workstations is now in the works and sounding very cool.

Hit Factory is an amazing mix of fully KARMA-fied Programs & Combis perfect for Producers and Keyboard Players creating Hip Hop, R&B, Techno, Rave, Industrial and Dance tracks. Five new Drum Kits include 380 NEW SAMPLES that are guaranteed to get your head noddin with some of the hottest beats found anywhere.

Hit Factory includes Classic Drum Samples from the TR808, TR909, CR78, Linn Drum, Simmons Drums and some of the best samples from our SP1200 and MPC Collections. Also included are a wide mix of Funk Guitars, Orchestra and Horn Hits, Noizes, Scratches, Human Beat Boxes and dozens of new Voice Samples. Special Bonus includes new samples from our SVC350 Analog Vocoder.

Five New Smokin Drum Kits Include:

SP1200 Hip Hop Kit

SP1200 Industrial Kit

Classic Beat Boxes

MPC Drum & Bass Kit

MPC Techno/Rave Kit

Hit Factory will be released September 09′. Get on our mailing list and we will contact you as soon as it’s released!

Click Here For MP3 DEMO

Click Here for more info on all our Korg M3 Sound Libraries.

Paul, Michael And The History Of The Beatles Song Catalog

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Interesting history of one of the greatest collections of songs ever written. I guess whoever winds up with it next is one hell of a lucky person(s)! Just came across this on the cnn web site…..

First the rumor went around that Michael Jackson was leaving the Beatles catalog to Paul McCartney in his will. Then the rumor was that McCartney was upset that Jackson didn’t leave the Beatles catalog to the Beatle in his will. Neither is true, said McCartney in a posting on his Web site.

“Some time ago, the media came up with the idea that Michael Jackson was going to leave his share in the Beatles songs to me in his will which was completely made up and something I didn’t believe for a second,” McCartney said. “Now the report is that I am devastated to find that he didn’t leave the songs to me. This is completely untrue,” he added.

The story of the Beatles song catalog is long and tangled. At the time McCartney and writing partner John Lennon wrote their songs, they retained only a portion of the rights in the publishing company created by the Beatles’ manager, Brian Epstein, and London music publisher Dick James. (The company was called Northern Songs, a nod to the Beatles’ Liverpudlian roots.) The company went public in 1965.

According to the myth-busting site, Lennon and McCartney each had 15 percent of the shares, Epstein (and his NEMS Enterprises) had 7.5 percent, James and partner Charles Silver had 37.5 percent and Beatles George Harrison and Ringo Starr had less than 2 percent. The rest was available for public investment.

Over the years (and partly due to the group’s legal battles) the Beatles lost or sold their control, and the catalog of about 250 songs — almost all of Lennon/McCartney’s creations — ended up in the hands of British media mogul Sir Lew Grade and his ATV Music Publishing. ATV added the Beatles’ songs to its holdings, a cache that eventually grew to more than 4,000 songs. (Other songs in the catalog include those recorded by the Kinks, the Moody Blues and Elvis Presley.)

In 1984, the catalog was put up for sale again. McCartney wanted to buy his creations back, but for various reasons wasn’t a front-runner. Jackson — who had taken to investing in music publishing at, ironically, McCartney’s recommendation — came up with the winning bid of $47.5 million. The sale went through in 1985.

In 1995, Sony paid Jackson $95 million to merge the catalog with its Sony Music. Jackson maintained 50 percent control. In 2005, Sony/ATV Music had more than 200,000 songs in its catalog, a article reported.

To finance his lifestyle, Jackson borrowed money, using the catalog as collateral. Nevertheless, he never lost the asset. The entire catalog was estimated to be worth between $600 million and $1 billion in 2005, according to a 2005 article in USA Today.

Farrah & Michael R.I.P

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farah_fawcett_poster we-are-the-world

I can’t say that I ever remember two icons passing on the same day before. Certainly Farrah Fawcett did not fall into the same class of icons as Michael Jackson – not many people do, but nevertheless she was as an iconic part of the 70’s as anyone. Yes, I did have that famous poster hanging on my wall – as did millions of other young men back in the 70’s. I’m sure that millions more will admire her for the courage that she showed during her illness. She will be missed.

I guess there is a lot more to be said about Michael – of which I’m sure there will be many books, movies, TV mini series and who knows what else coming down the pipe over the next few years. I’m reminded from a line in the movie “The Birdcage” where one of the news media say’s “we are in enquirer heaven”. This story is likely to go on and on for many years to come.

Although it’s way to early to tell, I did hear one report that Michael left Paul McCartney the rights to his share of The Beatles catalog in his will. For those of you who did not know, Michael Jackson still owned part of the The Beatles catalog which he had purchased back in the 80’s. If indeed that is the case, talk about karma coming back around. We shall see.

Yes, Michael Jackson was well known for his eccentric/crazy behavior over the last thirty years, but I prefer to remember his other side which was capable of writing a song like “We Are The World”. I don’t know why, but that’s the first thing I thought about when I heard the news yesterday. I had not heard the song or watched the video for many years, but the first thing I did when I woke up this morning was to click over to YouTube to check it out. Seeing it again was a reminder of what good us humans are capable of – when we are not so busy killing each other. This is how I prefer to remember Michael.

There are dozens of versions of the song and video on YouTube to choose from, but this version stood out because of the editing and background music that was inserted. Kind of erie in a way. Brought me right back to 1985 – when the world was a much different place.

We Are The World

We Are The Children

We Are The Ones Who Make  A Brighter Day

So Let’s Start Giving

Digitally Remastered Beatles Coming In September

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Looking forward to this release in September. My Beatles CD’s have never sounded as good as the LP’s and I’m hoping that this will bring better sound to some of the best songs ever recorded. I guess the 9/9/09 date is no surprise since John always had a thing for the Number 9. Revolution 9, Number 9 Dream, Born on October 9th, Etc.

The new release includes all 12 Beatles albums in stereo, with track listings and artwork as originally released in the UK. The package will also contain the LP version of “Magical Mystery Tour” (initially released as a double-EP in Britain, though available on CD since 1987) and the collections “Past Masters Vol. I and II” combined as one title. 

The release marks the first time that the first four Beatles albums are being made available in their entirety on compact disc, and it also coincides with the release of “The Beatles: Rock Band” video game. Speaking of which – I think really blows big time. I saw a video of these kids demoing it on youtube the other day and it was pathetic. I mean, learn to play your own instruments kiddies. You will be glad you did.

Robert Levine, executive editor for Billboard, said the timing is genius in terms of marketing. “Most bands, when they do a big project like this they pay for publicity,” Levine said. The Beatles got paid for ‘Rock Band’ and then they are using that for publicity to rerelease a catalogue. It’s pretty amazing.

Piers Hemmingsen, the author of two books on Beatles music, said there has long been a clamor among fans for good, high-quality versions of Beatles songs. “The technology that was available back then was very limited, and with the newer technology they are able to do far more with what they have than they have ever been able to do before,” he said. “For people who are plugged into iPods and the whole digital music scene, it’s going to be a lot better for them.”

In acknowledgment of the more technologically advanced listeners, each CD will contain, for a limited time, an embedded brief documentary film about the album. The documentaries contain archival footage, rare photographs and never-before-released studio chat from the Beatles.

The remastering project was four years in the making. Engineers used de-noising technology and cleaned up glitches like electrical clicks and microphone vocal pops, so long as it didn’t affect the original integrity of the songs. They also slightly boosted the volume levels. Andrew Croft, publisher of Beatlology Magazine, said the announcement of the release of the remastered recordings “is long overdue in the Beatles community and for music fans alike.”

“Bootleg releases over the years used rare and obscure vinyl pressings from countries like Japan and Germany to compile the best of the best recordings of The Beatles songs, presenting to the public a better sound that Apple could not offer prior to the remastering. “While the new remasterings will replace a library full of bootlegs of their commercial releases, there remains a massive market for their more obscure tracks, outtakes and live performances,” Croft said.

The 14 remastered albums, along with a DVD collection of the documentaries, will also be available for purchase together in a stereo boxed set. A second boxed set, “The Beatles in Mono,” includes all of the Beatles recordings that were mixed for a mono release. It will contain 10 of the albums with their original mono mixes, plus two additional discs of mono masters (covering similar ground to the stereo tracks on “Past Masters”).

The mono “Help!” and “Rubber Soul” discs also include the original 1965 stereo mixes, which have not been previously released on CD. These albums will be packaged in mini-vinyl CD replicas of the original sleeves with all of the original inserts and label designs.

Croft said, “The songs have lasted for a long time because they are great songs. It’s just that simple. Those are amazing, amazing albums”.

Text Courtesy of

Korg M3 Soundtrack Mix Updated to Version 1.5 – New Video “Ode To NASA”

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Kid Nepro has updated our Korg M3 Soundtrack Mix collection to Version 1.5. The new update adds 16 new combis. Soundtrack Mix now contains 64 Programs, 48 Combis and 60 Megs of new samples. All well crafted and fully KARMA-fied! More info and demos can be found “HERE”

Along with the new sounds, we just finished producing a new video which features several new sounds included in the update. It’s titled “Ode To NASA”. Video footage courtesy of NASA and the Hubble Space Telescope.

Ever since watching the Apollo Space Missions back in the 60’s, I’ve always been a big fan of NASA. They have proven time and time again that what seems impossible can be accomplished once you put your mind to it. The recent mission to fix the Hubble Telescope is a perfect example of that. The tune up that the talented astronauts gave Hubble will continue to provide us with more spectacular images for years to come and help us learn more about the universe that we live in.

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